Treefrog Treasures Military Miniatures, Toy Soldiers. SHOWROOM HOURS Monday- Friday 8: 0. Saturday 8: 0. 0am- Noon. Treefrog Treasures. Sandstone Dr. NW Eyota, MN 5. Treefrog Treasures is located at the intersection of Hwy 1. Hwy 4. 2 one block east of Kwik Trip in Eyota, MN.
Why collect toy soldiers? A. People collect military miniatures and diorama supplies for all sorts of reasons. Some have a love of history and enjoy re- creating it. Others collect to honor those who have served in the military. For more information Click Here. We keep an extensive archive of past and present military miniatures catalogs, as well as information from leading brands: King & Country and W.
Doctor Strange led the way last night with $9.4 million at the box office to kick off what is expected to be the fall's biggest weekend. A specific result that a person or system aims to achieve within a time frame and with available resources. In general, objectives are more specific and easier to.
Exposure Basics: Correctly Expose Your Photographs. Every picture taking opportunity allows you to record no less than six correct exposures! Perhaps you have already figured it out after reading the above, but if not, you will soon know that most picture taking situations have at least six possible combinations of f/stops and shutters speeds that will all result in a correct exposure; not a creatively correct exposure but a correct exposure. For the sake of argument we are both out photographing a city skyline at dusk, using a film speed of 1.
Free video and photograph sharing, image hosting and linking, online photo albums. Enjoying life is often thought to be a mindset, the result of reflection, action and gratitude. And while most of us lack sufficient free time to.
ISO and an aperture opening of f/5. What other combinations of aperture openings (f/stops) and shutter speeds can we use and still record a ? I want to stress the word . The reason will not be simply because you want to record a correct exposure, but rather because you want each and every time to record the CREATIVELYCORRECTEXPOSURE! The difference between a “correct exposure” and a “creatively correct exposure” is often huge! All of us just shot the exact same correct exposure!
The Movie Poster Warehouse- best resources of original and vintage Movie Posters, Rare movies posters and memorabilia visit our online retail store movieposter.com. It’s one of those routinely sunny afternoons in Los Angeles, and Dave Longstreth is sitting in a swivel chair in Hollywood fine-tuning a song he has already finished.
It doesn’t matter if you are photographing with a film- based camera or a digital camera, you must learn and embrace a simple fact; every picture taking opportunity offers you no less then six possible aperture/shutter speed combinations. Why must you know this? Even though each group has the .
Site presenting archaeological evidence for the most amazing Bible discoveries: Noah's Ark, Sodom & Gomorrah, Red Sea Crossing, the real Mt. Sinai, Blood Moons and. The Savage Club was founded in 1857 and remains one of the leading Bohemian Gentleman's Clubs in London. Clubs elsewhere have borrowed both the name and the style. Treefrog Treasures has an extensive selection of toy soldiers, military miniatures, and diorama supplies from First Legion, W. Britain, King & Country and more. IKEA Featuring Scandinavian modern style furniture and accessories. Include storage options, lighting, decor products, kitchen appliances and beds.
Knowing that each motion- filled exposure opportunity offers up six possible combinations is a start but knowing which one of two exposures best conveys or capture the motion before is the key. Once you are armed with this knowledge you can begin to fully explore the truly endless road of creatively correct motion- filled exposures! Now let’s imagine that we all awoke the following morning, once again splitting into three groups and we all head into a flower garden.
All of us are armed with our telephoto zooms and we are going to record correct exposures of a single flower bloom. One third of the group shoots that lone flower at a correct exposure of f/4 at 1/1. Another third of the group at f/8 at 1/2. The last third of the group shot that same flower at f/1.
Fifteen minutes later we all get together and compare results and guess what? Every one of us has recorded the . The visual difference is the key to understanding the difference between a correct exposure and a creatively correct exposure. Although the quantitative value of each exposure was the same, the aperture choices were different and therein lies the visual difference. Depth of field increases each and every time we stop the lens down and in the case of the flower composition, the smaller apertures recorded a greater depth of field than did the aperture of f/4. Again, the exposures taken by all three groups were the same quantitative value but visually they were quite different solely due to the aperture choice. So to recap: there are six possible aperture and shutter speed combinations that will result in the correct exposure, yet only one, maybe two, is in fact the “creatively correct” exposure.
Once you focus on the flower, shoot six correct exposures, each one using a different aperture and shutter speed. You will soon see that all six exposures are correct in their quantitative value, but radically different in their “visual weight”. Note in just these two examples where the first image was shot at f/5.
They are the “same” exposure in their quantitative value, but oh my, look at how much busier the background is in the correct exposure taken at f/2. All three of these images are exactly the same exposure (Images 3, 4, and 5). Their quantitative volume of aperture, (light) and shutter speed (duration of time) is exactly the same, yet you can clearly see that visually they are each different. Again, their quantitative values are identical, which is to say that the volume of light that passed through the lens and the amount of time that light was allowed to render an image on the CCD or film was the same. When I composed all three of these images, they looked exactly the same inside my cameras viewfinder. Yet when I reviewed these same three exposures on the camera’s digital monitor, they were clearly different and that difference in this case was with their backgrounds.
In Image 3, the background is limited to subtle out- of- focus tones, color and very few shapes. All three are the same exposure, but as is often the case, only one, and sometimes two, are the “creatively” correct exposure.
Use of Motion. When capturing this simple composition of an S- curve on Interstate 5 approaching downtown Seattle, I was presented with six possible options of recording a correct exposure, three of which you see here (Images 6, 7, and 8). In our first example, Image 6 was captured at f/4 for 1/2s, Image 7 was shot at f/8 for 2s and Image 8 was shot at f/1. All three of these exposures were made with my Nikon D2. X and Nikkor 2. 00- 4. ISO set to 1. 00 and my WB set to Cloudy.
An exercise such as this is truly eye- opening. The next time you head out the door to shoot city lights at dusk, there won’t be a lot of hesitation on your part about using the slower shutter speeds, since by this example, the slowest shutter speed exposure had the best effect. I will cover bracketing and other issues related to “where should I take my meter reading” in a future article). Going to Extremes with Shutter Speed. As you begin to digest more and more this simple rule of exposure, it will soon become clear that the need to pay attention to what aperture choice or shutter speed choice will in fact lead you to conclude that there is but one truly creatively correct exposure most of the time and this is particularly true as you begin to notice that the world offers up an unlimited supply of motion- filled opportunities. When capturing these motion filled opportunities you will find yourself, more often than not, on either end of the shutter speed spectrum; using fast shutter speeds to freeze the action in crisp sharp detail or using slow shutter speeds and the resulting blur to suggest or imply the motion present.
Image 1. 0 was shot at f/2. Both exposures are exactly the same in terms of quantitative value, BUT quite different in the arena of . Note how at the wide open aperture of f/4 (Image 9) the splash is frozen in crisp sharp detail but at f/2. Image 1. 0) that same splash is much more ethereal. Recording a correct exposure will always be your responsibility, so why not make it a point to make the most deliberately and visually compelling .
It is a very revealing lesson and not surprisingly will lead you further into the world of creatively correct motion- filled exposures. Choose a moving subject, such as a waterfall or a child on a swing or shoot something as simple as someone pounding a nail into a piece of wood. With your camera set to Aperture Priority Mode, your ISO set to 1. ISO if that is the lowest your camera offers) and your aperture set to wide open, (f/2. You have just recorded an exposure at the fastest possible shutter speed based on the ISO in use, the light that is falling on your subject and of course your use of the largest lens opening. Now stop the lens down one full stop, (if you started at an aperture of f/2.
Repeat this each time with the aperture set next to f/8, then f/1. Each time you change the aperture by what is called a .
The slower your shutter speed the more likely it is that your action filled subject before you is showing signs of ? He is also a contract stock photographer for Corbis and Getty.
He has been a contributing editor at Outdoor Photographer Magazine and is currently a contributing editor at Popular Photography and Imaging Magazine. Within the photographic community, he is most noted as the author/photographer of four best selling “how- to” photography books: Understanding Exposure, Understanding Shutter Speed, Learning to See Creatively and Beyond Portraits, with two new books due out in the spring of 2. Understanding Close- up Photography and. The Field Guide to Photography.
He is also the founder and one of the instructors at Picture Perfect School of Photography, an on- line photography school. Example Images from Bryan’s Gallery.